Screen Room hypha-gallery-farringdon The 'plinth' parts of the

The 'plinth' parts of the works are pristine unused paint tin lids

anchoring it to a specific location where for many decades the tree defined and witnessed its urban surroundings

Part of a body of work exploring folk superstition

inviting visitors to engage deeply with the more-than-human kin responsible for creating the abstract compositions across the tapestries

Arte Povera or Minimalism have become guides

Screen Room hypha-gallery-farringdon The 'plinth' parts of theYang's work is based on her own experience of living in London. She makes quick observations of the streets and surrounding areas in the city centre. Through these moments, she captures subtle feelings of isolation and detachment within crowded spaces. These sketches are transformed into mezzotint prints, where the slow production process allows the images to take shape as perceptual impressions of the city.